It was a pretty good musical... accompanied by some very innovative electronic scenery.
We craned our necks to see stage-right situated beneath our protruding box seats, but it was worth the effort. Especially since the singers and the musicians were terrific. The part of Johnny Cash was played in four different ways by four different actors at different times of his life... which in this depiction was mostly set around his songs. And that was OK with me and the friends we went with... but it was the simple stageset in the background that was the most magical of all. In fact, they were "TV sets". Literally!
3 huge TV's were being manipulated both physically and image-wise as the backdrop changed from countryside to Main Street to Bar scene (complete with well timed "broken bottles falling" as the actors bumped into it). Very cleverly done. It certainly kept my attention riveted to see how they would arrange them next.
I've only been on stage occasionally during my distant "yut(h)". Once as a chorus singer during 3rd grade, then playing a Spaniard dignitary from South America in the 4th grade... and recently, I actually won a bottle of champagne while participating in silly stuff in front of a packed audience at a hotel in Eilat. But otherwise, I haven't really pursued participation in theatrics... it's too repetitious. Doing the same act, night-after-night? Not for me. But I do like watching a live performance... good, bad or otherwise, and consequently I must have seen a hundred or more plays in the past (thanks to the low rates offered by TDF).
With the show over, it was off to nearby Cafe La Madelaine to discuss our impressions while dining on French food and drinking some red wine... and reflecting on how lucky we are to be able to do this every now and then.
The trials and tribulations of doing "background-artist" work in NYC (while waiting for a paying job to come along).
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