The trials and tribulations of doing "background-artist" work in NYC (while waiting for a paying job to come along).
Thursday, May 25, 2006
Auditioning in Connecticut
It had to be one of the rainyest days for my drive up to the Norwalk studio. But 60 miles later I had arrived at a pretty modern setup in the middle of a family-style quaint and quiet neighborhood. As I approached the entrance, it was laden with tons of electronic equipment, neatly arranged and well organized. A young woman was speaking to a tall man as she greeted me and welcomed my "talent" status inside the hipster-stylized abode. Friendly, yes... but all business in attitude. I was asked if I wanted any refreshments, given my lines and seated inside the studio's grand white backgrounded set. I found my cofort and began to internally rehearse the syllabus:
"The doctors and nurses at St. Vincent's gave me superb care...
[pause]
...I'd trust them with my grandson!"
I pretty much glanced at it and had it down pat. Two lines of script. How easy is THAT?
The young cameraman came in and fiddled with the video camera that I would be slating in front of pretty soon. It was quiet for a while... and then I broke the ice with him by stating that the white background of the studio looked like something out of "THX1138"! That got him to look up and immediately shmooze about the film. (After all, that was George Lucas' first big breakthrough in the early 1970's... and one of my personal all-time favorite movies). Our banter was soon interrupted by the cordial director, Paul, who explained the scenario and got me right up in front of the camera. He did a few takes with a couple of different suggestions and then asked if it would be alright for him to make my hair look more "salt & peppery" for the hospital ad. "No problem." I heard myself respond. But internally I had instantly grasped that I was too young for the part and that unless a miracle took place, I wasn't going to be making the $600 bucks for this stint. But cordial-Paul asked if I'd be available on Monday and Tuesday if the client had decided in my favor. To which, of course, I had no problem aquiescing... again knowing fully well that this would be a very remote possibility. The part really called for a more silver-haired grandfatherly-frail-looking old bugger.
This was a complete reversal of my full-time job interviews, where jobs are predominantly given to those who are young. You just can't win!
So I got back into my car and drove antother 60 miles back home through the avalanching thunderstorm. Cost of trip (gas, tolls, nerves): $30.00 plus "interest". I don't think I want to travel across state lines for an acting job -unless pay is assured (and how many times have I said that before?).
Now my mercenary side is starting to kick in!!!
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